217 XV
by centrozoon
floyd_83
Matthias
VHF61
Eric Anderson
Dr. "Buzz" Frenzy (Matthew J Hesse)
Wouter Eerdekens
Jaakko Peltonen
KEDZIERSKI DANIEL
AlexMartin
IanOxley
Sean Barnes
WMG
Robert Sorensen
gregH
Carlos Romeo
Cedric Theys
Earl Walker
Jim Millar
mark hassett
Raleigh Kathman
Richard Algar
Jeff Evans
Kathy Starkey
James Kerr
Will Cruttenden
Wolfram Jaschke
Gordon Van Huizen
Adam Aronson
Jim Keyerleber
Owen Keenan
John Guppy
koblizatko
msn1102
dave6russ
YS Park
dissonant1
Perry
j
Rabbit Whopper
Mark Butler
Gregory Chludzinski
fleischhauer
-
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
This download release is exclusively available directly from us via our Bandcamp store and won't be distributed in other ways.Purchasable with gift card€4 EUR or more
-
VIP membership
Join now to receive all the new music centrozoon creates, including this release and 33 back-catalog releases, delivered instantly to you via the Bandcamp app for iOS and Android. You’ll also get access to supporter-only exclusives. Learn more.Join Now €80 EUR/year or more
-
Full Digital Discography
Get all 37 centrozoon releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Harmonic Hospitality, Circulaar, Redundancy Mega Mix (FREE DOWNLOAD), eisprung, KLAMAUK 3, KLAMAUK 2, KLAMAUK 1, Le Surreal Parkhaus (Live in Bern 2017), and 29 more.
Excludes supporter-only releases.
Purchasable with gift card€124.80 EUR or more (35% OFF)
1. |
Spectrum NYC 1
21:20
|
|
||
2. |
Spectrum NYC 2
09:59
|
|
||
3. |
Spectrum NYC 3
08:48
|
|
about
Recorded live on the 20th Anniversary Tour at Spectrum, Manhattan, New York, NY, USA on November 19 2016.
These pieces are unedited and the mix is just like what was going out to the P.A. that night. That might include clicks and digital dropouts.
---
GEORGE'S ROAD DIARY
Date: 19 NOV 2016
Venue: Spectrum, NYC
This was our last show of the tour with Nocturne Blue; Spectrum is an inspiring space for creation/performance, a venue I’ve been to quite a few times with Markus and Bernhard separately during their respective solo tours. Tonight, however, I had a personal commitment which would keep me from this show (the only one I missed!), so I called upon my “brother-from-another-mother” Darren Hodroski to handle the logistical/managerial tasks in my absence, Darren being the only person I trust to pull this off. So, since I wasn’t there, it’s only fitting for Darren to write about tonight’s experience…
DARREN’S ROAD DIARY
…and now, pinch hitting for George Bley…
George dropped Markus and Bernhard at my place right on time. After a quick introduction to Bernhard (I’d met Markus on a few previous occasions), I got my instructions for the night and we were off to Manhattan. The trip was smooth and uneventful, even though the boys passed on the half melted chocolates available in a cheap no-frills gas station, we were no worse for wear and persevered on.
Spectrum is an intimate venue on Manhattan’s Lower East Side and not entirely easy to find even when you arrive at the address. Luckily Markus knew the exact doorbell to ring to gain access. Load in and set up was quick and painless. After meeting Dutch and Jeni Rall of Nocturne Blue, I quickly was being referred to as George 2.0 or George Lite.
centrozoon’s set was tight, musically fascinating and visually stunning. Nocturne Blue followed and provided a fitting end to a musical journey that lasted just a couple of hours.
After load out and some quick conversation with fans, we were back in the car and headed back to NJ. I showed off my German language prowess by picking out “mousepad” in a conversation between Markus and Bernhard. We encountered some heavy snow during the ride and by the time we met an eagerly awaiting George in my driveway about an hour later, there was about 2 inches of accumulation. Ah, the Northeast United States in November, just when you think it’s going smooth, you never know what to expect!
These pieces are unedited and the mix is just like what was going out to the P.A. that night. That might include clicks and digital dropouts.
---
GEORGE'S ROAD DIARY
Date: 19 NOV 2016
Venue: Spectrum, NYC
This was our last show of the tour with Nocturne Blue; Spectrum is an inspiring space for creation/performance, a venue I’ve been to quite a few times with Markus and Bernhard separately during their respective solo tours. Tonight, however, I had a personal commitment which would keep me from this show (the only one I missed!), so I called upon my “brother-from-another-mother” Darren Hodroski to handle the logistical/managerial tasks in my absence, Darren being the only person I trust to pull this off. So, since I wasn’t there, it’s only fitting for Darren to write about tonight’s experience…
DARREN’S ROAD DIARY
…and now, pinch hitting for George Bley…
George dropped Markus and Bernhard at my place right on time. After a quick introduction to Bernhard (I’d met Markus on a few previous occasions), I got my instructions for the night and we were off to Manhattan. The trip was smooth and uneventful, even though the boys passed on the half melted chocolates available in a cheap no-frills gas station, we were no worse for wear and persevered on.
Spectrum is an intimate venue on Manhattan’s Lower East Side and not entirely easy to find even when you arrive at the address. Luckily Markus knew the exact doorbell to ring to gain access. Load in and set up was quick and painless. After meeting Dutch and Jeni Rall of Nocturne Blue, I quickly was being referred to as George 2.0 or George Lite.
centrozoon’s set was tight, musically fascinating and visually stunning. Nocturne Blue followed and provided a fitting end to a musical journey that lasted just a couple of hours.
After load out and some quick conversation with fans, we were back in the car and headed back to NJ. I showed off my German language prowess by picking out “mousepad” in a conversation between Markus and Bernhard. We encountered some heavy snow during the ride and by the time we met an eagerly awaiting George in my driveway about an hour later, there was about 2 inches of accumulation. Ah, the Northeast United States in November, just when you think it’s going smooth, you never know what to expect!
credits
released July 10, 2017
Music composed by Markus Reuter and Bernhard Wöstheinrich
Bernhard Wöstheinrich: Synthesizers and Sequencers
Markus Reuter: Touch Guitars® U8, Processing, Live Mixing
Mixed and mastered by Markus Reuter using a Moon by Simaudio Neo 230HAD headphone amp/DAC, July 2017.
Produced by Markus Reuter (for Unsung Productions)
George "G$" Bley: Tour Manager
Darren "D$" Hodroski: Driver, Roadie, Merch Magician
Special thanks to Glenn Cornett, Lester St. Louis, Lawrence de Martin, and Darren Hodroski.
Music composed by Markus Reuter and Bernhard Wöstheinrich
Bernhard Wöstheinrich: Synthesizers and Sequencers
Markus Reuter: Touch Guitars® U8, Processing, Live Mixing
Mixed and mastered by Markus Reuter using a Moon by Simaudio Neo 230HAD headphone amp/DAC, July 2017.
Produced by Markus Reuter (for Unsung Productions)
George "G$" Bley: Tour Manager
Darren "D$" Hodroski: Driver, Roadie, Merch Magician
Special thanks to Glenn Cornett, Lester St. Louis, Lawrence de Martin, and Darren Hodroski.
license
all rights reserved
tags
about
centrozoon Berlin, Germany
Centrozoon is not just questioning the process of making music, but the very borders of music itself.
Creating sound, to
centrozoon, is an exploration of possibilities and extremes, a constant conscious confusion of contexts and evaluating the validity of what is ‘right’ and ‘wrong’.
centrozoon currently consists of Markus Reuter, Bernhard Wöstheinrich and Tobias Reber.
... more
discography
-
Dec 2020 -
Oct 2020 -
Sep 2020 -
Feb 2020
contact / help
If you like centrozoon, you may also like:
-
Live in Pomona 2016
by Markus Reutersupported by 37 fans who also own “217 XV”
Peaceful sound, and a loving sound....magical in this torn world.
go to album -
Taster (10th Anniversary Edition)
by Markus Reutersupported by 37 fans who also own “217 XV”
Oh, I remember it well, that living room concert in the flat of a buddy in Cologne. I probably didn't know what I was really going to experience that evening. But I was blown away. The intensity of the performance struck me. No one spoke, no one clapped, everyone was in trance. Later, I was introduced to Markus and I told him: "So when are you going to replace Robert Fripp in King Crimson. Really, you're going to be a star." He smiled politely. "You too. You already got the looks (!) and the aura of a star." I laughed. I was a small inexperienced and unimportant critic. But at least one of us was (almost) right that evening. This was the first and important step in Markus' solo career. The music still gives me shivers. In a good way. It sucks me right in, right into me. I always felt strongly connected to the music, 20 years later, this is still one of my favorite soundscapes albums.
go to album -
Sultry Kiss Down Under (Crimson ProjeKCt Tour 2014)
by Markus Reutersupported by 37 fans who also own “217 XV”
Excellent work. I love it. Heavy, weird, noisy and beautiful.
go to album -
All The Things You left Behind
by InwardsThis album by the electronic artist is made up of archival work created from 2013 to 2022.
go to album -
featured on Bandcamp Radio Nov 26, 2013
go to album -
Generative Etudes Vol 1.0
by Matthew RyalsComposer Matthew Ryals delves deep into generative techniques for modular synthesizer to create these patient, curious pieces.
go to album -
Flood Expeditions: Streamside, 17 May 2018
by Robert Rich and Markus Reutersupported by 37 fans who also own “217 XV”
go to album
